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| | By the turn in the 20th century, amateur advisors and publications were increasingly challenging the monopoly how the large retail companies had on home design. English feminist author Mary Haweis wrote a few widely read essays from the 1880s through which she derided the eagerness that aspiring middle-class people furnished their houses in line with the rigid models provided to them through the retailers.[10] She advocated the consumer adoption of any particular style, tailor-made to anyone needs and preferences from the customer:
"One of my strongest convictions, and one on the first canons of excellent taste, is always that our houses, such as the fish’s shell and also the bird’s nest, really should represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated for the manufacturers and retailers, received an impetus using the 1899 formation with the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators throughout the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which often 10 were women. Rhoda and Agnes Garrett were the initial women to learn professionally as decorators in 1874. The importance of their focus on design was regarded back then as with a par to be able of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic design to a wide middle-class audience.[12]
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